吴兆骞（1631～1684）清初诗人。字汉槎，号季子，吴江松陵镇（今属江苏苏州）人。少有才名，与华亭彭师度、宜兴陈维崧有“江左三凤凰”之号。顺治十四年科场案，无辜遭累，遣戍宁古塔二十三年，友人顾贞观恳求于纳兰性德，后经性德父明珠营救，得以赎还。归后三年而卒。诗作慷慨悲凉，独奏边音，因有“边塞诗人”之誉，著有《秋笳集》。

简介：短篇合集，有大纲投稿给我，客串私我发客串名。

This is the first English-language book on the philosophy of Ji Kang. Moreover, it offers the first systematic treatment of his philosophy, thus filling a significant gap in English-language scholarship on early medieval Chinese literature and philosophy. David Chai brings to light Ji Kang’s Neo-Daoist heritage and explores the themes in his writings that were derived from clas...(展开全部)

This is the first English-language book on the philosophy of Ji Kang. Moreover, it offers the first systematic treatment of his philosophy, thus filling a significant gap in English-language scholarship on early medieval Chinese literature and philosophy. David Chai brings to light Ji Kang’s Neo-Daoist heritage and explores the themes in his writings that were derived from clas...(展开全部)

A Chinese Physician is the portrait of a 16th century medical writer and clinical practitioner. Three methodologies - loosely termed socio-economic/biographic, textual analysis, and gender analysis - and a variety of sources, from hagiographical biographies to medical case histories, are used to tell three very different but complementary stories about what it was to practise m...(展开全部)

董雁，字子人，号若鸿，别署抱素斋主。毕业于首都师范大学中国书法艺术专业，师从欧阳中石先生。常年致力于书画艺术普及、教育、书画艺术图书出版事业，痴迷浸淫于对中国传统文化的涉猎与研究。现为北京书画艺术院研究员、学术委员会委员、典籍编纂委员会副主任委员、北京书法家协会会员等。 作者博客：http://blog.sina.com.cn/ruohongdongyan

董雁，字子人，号若鸿，别署抱素斋主。毕业于首都师范大学中国书法艺术专业，师从欧阳中石先生。常年致力于书画艺术普及、教育、书画艺术图书出版事业，痴迷浸淫于对中国传统文化的涉猎与研究。现为北京书画艺术院研究员、学术委员会委员、典籍编纂委员会副主任委员、北京书法家协会会员等。 作者博客：http://blog.sina.com.cn/ruohongdongyan

Compiled in 940 at the court of the kingdom of Shu, the Huajian ji is the earliest extant collection of song lyrics by literati poets. The collection has traditionally been studied as the precursor to the lyrics of the Song dynasty, or in terms of what it contributed to the later development of the genre. But scholars have rarely examined the work as an anthology, and have more...(展开全部)